the secret of luck lays not in property, but in giving. therefore klangkuenstler and shemian are releasing their first ep on kallias which is at the same time the first in 2013. the >gluecks ep< spreads this feeling through a successful conception of ist four tracks. the jointly produced >spiel mir das lied vom glueck< initiates this in a wonderful way. through playful chimes and mellow organ sounds paired with melancholic strings it let sunny feelings come up even in cold winter days. the remix of geschwister schuhmann is an outstanding and yet completely different interpretation, with its dreamy vocals, nestled in a warm and spherical soundshell created by the interplay of gentle organ sounds with synths, strings and mallet percussions. with >einhornallee< the b-side starts with a driving pumping groove and a hard syntheziser line dissolved by gentle chimes. >welttraum< fascinates because of an dramatic arrangement supported by extremely tense strings and fullfills it with a catchy xylophon melody.

das britische label ninja tune begrüßt mit technicolour ihr neuestes imprint. den auftakt macht raisa k, keyboarderin der formation micachu and the shapes. gemeinsam mit ihrem bandkollegen mica levi fertigte sie unter dem pseudonym m.a.t.h.e.s bereits remixe für u.a. the streets, metronomy oder the invisible an. nachdem raisa k bereits 2011 mit der red bull music academy in madrid unterwegs war, entschloss sie sich auch eigene tracks zu produzieren. musikalisch bewegen sich die sechs stücke der feeder ep irgendwo zwischen electronic und post-dubstep

next up on deep vibes is the probably last but definitely not least ibiza anthem of the year. we kept it in the shelves for a bit, had it played out by dj sneak, tobi neumann and sebo k and even saw laurent garnier posting a picture of a promo cd with el recorrido on facebook in desperate search of the person who gave it to him.

basswalkers! calling all basswalkers to the isolated system. it is time, time for round two. hope you like yours nice n ravey because aÑas & 785s taking us way way back with this one. please keep your arms and legs inside the time capsule. and strap in, its gonna be a 90s sorta ride. you may remember our last session with henning baer, norman nodge and musk? it turned into a bit of a showdown, with all sorts of basswalks proliferating the floor. well, now its aÑas & 785s turn to take the lead. some of you are new here, so were easing you in gently with break even first. dont be scared, this is a harmless sort of menace—its bark is far worse than its bite. besides, wait til you hear the breakdown. wooh. now youre all warmed up, let it all go with let it go. really, no holds barred please. trust, you will enjoy it all the more. you can collect your things at the end.

nice analogue latin house tracks, with mushroom samba even reminding of early derrick may remixes... nice!

in the country mario & vidis come from cover version is a little bit of a curse word and arouses serious suspicions whenever mentioned. even the biggest pop names do half of their gigs and have half of their income just performing well-known songs and impersonating well-known international artists. but when the vocals of bon ivers >re: stacks< recorded by up and coming british singer songwriter james barbarossa mathe were sent their way they didnt have a slightest doubt. not an obvious track selection and a really unique vocal treatment inspired them for a cover version of a different kind. as yet another proof of superior quality the release comes with a remix from Âme. vinyl only and limited to 300 copies this one is a little bit special.

wncl recordings and kevin mcphee have spent many a moon discussing a shared love of mood ii swing, dubplate culture and bobby champs amongst other things. in between times, the canadian young-gun has been honing 4 tracks to present wncl012 – a finely crafted extended play in which mcphee gets his clonk on. >…in keeping with wncls hard jacking groove tendencies mcphee produces four slices of brick hard house that you will be hard pressed to even try and overlook.< (sonic router)

luc who? marianni? this reclusive french composer paved the underground music history with a handful of mind-blowing lps but still managed to surprisingly fall under the radar. even the experts seem to have forgotten about him when there were clues all over the place! it is true luc marianni didnt belong to no family but his own, with his constant work-in-progress through the gathering of friends and the odd random musical chance meeting.
it is therefore with great pleasure that we offer for the first time in decades the scarce remaining stock of original copies from his first and last vinyls, hoping to turn some heads along the release of the remix ep on ddd records: ddd-lmr-t01 with remixes of jared wlison (detroit), dam mantle (glasgow) and nukubus (rotterdam).

luc who? marianni? this reclusive french composer paved the underground music history with a handful of mind-blowing lps but still managed to surprisingly fall under the radar. even the experts seem to have forgotten about him when there were clues all over the place! it is true luc marianni didnt belong to no family but his own, with his constant work-in-progress through the gathering of friends and the odd random musical chance meeting.
it is therefore with great pleasure that we offer for the first time in decades the scarce remaining stock of original copies from his first and last vinyls, hoping to turn some heads along the release of the remix ep on ddd records: ddd-lmr-t01 with remixes of jared wlison (detroit), dam mantle (glasgow) and nukubus (rotterdam).

every once in a while a record or in this case an ep comes along and its so bursting with feel good vibes that even the most cynical dance music listener cant resist. at the mere age of 19, francisco davalos is about to grab the attention of many. simply put, the young mexican has a superb ear for the language of music. after a recent 12 on nurvous (nervous records new sublabel), on the prowl finds itself lucky to land these four tropical themed disco tinged club bombs. with hints of what made tensnakess coma cat so successful the bronx skillfully puts together his tropical ep packed with plenty of playful pianos, strings, congas, marimbas... theres no holding back.

we have made no secret of our love for terrence dixon here at thema. after his thema debut with >the parkhurst<, a record that helped to reignite his career, we have seen the legendary figure move on to even bigger things, and we helped the cause even more just recently with his >the return< ep as population one on our chronicle sublabel. his resurgence has reminded us what always drew us and many others to his work from the beginning, and it is thus with immense pride that we announce minimalism re:vision, featuring remixes of terrence dixons groundbreaking minimalism part 1 from 1995.

vinyl only... special request returns with the third vital 12 inch in this series based on capturing the spontaneous rugged energy of uk pirate radio and re-wiring this into chaotic dancefloor moments. maintaining all the illicit qualities of the best hardcore/jungle blueprints but reloading them with a contemporary approach, there is an attention to detail and touch here that makes these recordings far from revisionist. on the third stamped release, special request tackles the voice of one of this years most talked about artists, laying down a deadly amen break and killer hoover bassline for a sub 130 bpm dnb track that is simply explosive. on the flip is the even tougher vip mix that doubles up as a dub. limited hand-stamped, vinyl only release

while channel x took us on a full-length musical journey through their very own ‘wonderland in september, this follow-up remix package guarantees to drag you even deeper into the metaphorical rabbit hole thanks to mind-altering reworks by doctor dru, robosonic, nico stojan and our competition winners, juicy jay & sh.

due to the wish of the fans we release here a second limited vinyl with microtrauma, collecting some of their finest tracks never released before on vinyl. the 4 track ep starts with >reflection<, a mighty tune. the track is built musically on a sophisticated layering of intricate sounds that are counteracted by slashing snares and stiletto sharp sequences which allows a fine blend of techno with melodic structures. it is for sure by its nature a true voyage, a trip to higher meadows ... or maybe even follows a mission.

releasing his debut smash >ignore the traffic lights< last year, monosoul landed a super-hit that got played in lindenholzhausen and in eschhofen (even). but there is more to come! for the up and coming winter season he offers >sweet spot< on frank music - a track that will blow you away right from the start. one could say: deep house hit! right now, only available on one sided vinyl.

in their own words, like a radio-controlled mechanical, electro-mechanical and multifunctional musical instrument, berliner ring build up relentless and relentlessly different grooves in a characteristically non-direct way. as if playing around without focus they layer their tracks and slowly position them into form. the tracks featured here were originally released on cd on the art yard label. melodies are fragmented, often even sparse, the groove never stops, but does so with intervals and while changing focus. berliner ring references similar bands in the krautrock and post-rock genre, but it s subtlety, the originality of their self-built instruments and their songs that shift from downright groovy to more atmospheric explorations of ambience and texture guarantee them a unique voice and perspective. essential stuff.

custom 12 inch vinyl with hand-stamped labels, limited first pressing.
la producer gb and a race of angels, two mysterious figures in the west coast music scene, join forces as they bring to us their self-titled project, the steoples.
this 4-track ep is a beautiful hybrid of electronic and soul brilliantly put together in a most unique way. lush analog synths and syncopated rhythms animate this offering throughout, while the vocals embody an infectious feel that will have you singing all day.
each jacket has been individually and uniquely hand-sprayed by dame (msk). as every jacket is different, yours will not be exactly like the ones pictured. instead, yours will be totally one of a kind.

limited edition on 10 inch snowflake vinyl.
as christmas 1969 beckoned, jimi hendrix, bassist billy cox, and drummer buddy miles engaged in extensive rehearsals for their highly anticipated appearances at the fillmore east in new york. branded by hendrix as the band of gypsys, the trio worked feverishly rounding such exciting new original material as >izabella< and >machine gun< into form. keenly aware of the special significance his forthcoming concerts represented, jimi wanted to prepare something extraordinary for his audience. to mark the occasion in his own inimitable fashion, jimi readied this special medley of holiday favorites to celebrate both christmas and the dawning of a new decade. this recording was made at baggys studios, a manhattan rehearsal facility the group preferred. it by no means should be considered a polished studio recording made to hendrixs exacting specifications. it is, instead, perhaps even more revealing. this is a glimpse of jimi simply having fun in the company of close friends. the photograph of jimi posing as santa claus was originally organized on behalf of the uk music newspaper record mirror. to help publicize the december 1967 release of axis: bold as love, the groups second album, jimi agreed to pose as santa for the issues cover. an alternate photograph from that session, with jimi bearing gifts in the form of axis: bold as love, is featured here. as an added bonus, also included is jimis playful >three little bears<. this track was recorded with the experience at the record plant in may 1968 during sessions for electric ladyland. bypassed for that album, >three little bears< was originally issued as part of the 1972 posthumous compilation war heroes. it has been unavailable in the us for nearly twenty-five years.

veitengruber comes with the first release on his new record label degree

decoy 01 showcases southampton artist chris colburn, a regular feature on alan fitzpatricks 8 sided dice imprint. a selection of 3 techno gems made entirely for the dance floor. acid whip is the lead track, big drums and a nerve cutting acid line create this frenzy of a track. universal oddity brings in a tonal bell ploughing through light percussion and chris signature kick. no smoke is last but not least delivered with a touch of soul through the melodic stabs and swirling hazy noise effects, taking it even deeper. hans bouffmhyre adds his touch to the ep with his remix of acid whip, pulling away from the acid and focusing on the drums and effects, the sleaze and electric deluxe artist doesnt fail to deliver as the track flows, drops and lifts with this warehouse style monster.
decoy records is launching in 2012 at a time where electronic music has become very exciting. with a grass roots approach and a nod to talented uk artists, the story begins.

the man who brought saltyness into house music- julius steinhoff - comes up with his second solo 12inch on smallville- so glad. connecting to salty days - one of the longplayers of the decade by smallpeople (aka julius and dionne), steinhoffs soloworks strike even more voluptuary with slightly rapturous pleasure. being founder of hamburgs finest record store and label, smashing worlds deepest parties with guests such as omar s, jus-ed, mike huckaby, xdb, steven tang and tons of other favorites, julius steinhoffs knowledge has been compressed to a state of the mind 12 inch.

>impolite to refuse< by claude young remade and remixed by santiago salazar and esteban adame as ican. originally released in 1996, >impolite to refuse< immediately inspired the future members of ican. it had that detroit techno soul with latinized bass and percussion, even before knights of the jaguar, claude youngs masterpiece had won us over. also included on this release are two new versions of >impolite to refuse<. esteban adame and santiago salazar did their homework to recreate the strings, bass and then added their own inspired twists for the ican remake. esteban adame slows it down to 118 bpm for a latin funk jam on his deep mix.

one of figures most prolific artists, a.mochi offers up his first ever ep for figure spc, with 2 especially subterranean and highly charged tracks. mochi, who last year released his outstanding >primordial soup< lp on figure, continues to tread the line between functional club techno, and post-apocalyptic mechanical soundtracks. the well-defined a side burner, >riff< charges along with textured, woody percussion at its heart, and mochis trademark white noise ensemble pushing the high frequencies. a reduced, classically minimalist work, the track relies on just a handful of elements to induce a real fever on the dancefloor. following closely in its footsteps is >sunset<, a deeper cut with hi-tech atmospheres and intricate percussion at its core. metallic synths surge under mochis wall of bass, and the straight-ahead ebb of the sharp hats and claps edge this monster into even darker zones.

re:vision series restarts with steve poindexters timeless classic >computer madness<. we are very honored and excited to be able to re-release this beast of a track! it is hard to imagine that this was really created over 2 decades ago. so the task at hand was to find the right contemporaries to revise this masterpiece, we didnt have to look far to find the man for the job: function is an old friend here at thema, and things got even better when he brought in jerome sydenham to co-produce the second treatment. it is thus with great pride we announce our re:vision of computer madness, featuring two resolutely modern reinterpretations of poindexters classic.

ltd nice price copies !!! new project by damian schwartz !!! sam the mummy lives in the deepest catacombs of his existence. hardly ever he can be seen on the surface and just a few ones have the >honor< of knowing him. even stranger it is his relationship with damián schwartz, the only person allowed to listen and disclose his awesome and disturbing works. here is the first one: untitled1 (mupa008). it starts with cradle, a brief but captivating prologue. and from the cradle to the grave, here comes untuned (interview), where sam introduces us in his most personal universe, crumbling his darkest secrets. soon we can see what hes up to, because despite of appearing as a hard and cold guy, on the very first beats he reveals pure soul music. tireless groove with magnificent salsa touches, bittersweet cymbals and congas that run with an intimidating elegance. on b side, pharaon s cat introduces stand up. little by little, it steps into a background of hypnotic and jazzy sequences accompanied by aristocratic piano notes that try to break into, but can only go out on tiptoes. so smart and so danceable at the same time.

this is n eight track release series built of four remixes and its previously released originals now in form of a re-issue to complete the series. successful tracks like lufts >in high spirits< or even more secret gems like livu grozas no love are brought back on stage by being amazingly remixed by other raoul artists or friends of the label. the first edition features remixes and originals from: luft, crowdpleaser, liviu groza, digitaline, emilie nana and dollar mambo. the vinyl edition includes only the new remixes.

from the fuego department of cómemia comes >de la cabeza< (off your head). que fuego - in buenos aires, when a particular style is particularly flamboyant, they say >que fuego<, be it an evening gown, a staggering dancing step, a good phrase or a precious little make-up smear. all these things are part of the wonderful world of djs pareja, one portrait shot of them and we all want to repeat the word boy (or even better: boy).

if the black monolith tycho magnetic anomaly one from stanley kubricks classic 2001 felt like partying, he would be throwing his rocks in the air to the vibes from barnt, even without having arms or legs. it is probably because is this what they were born for? is not the first time the dj, producer and co-founder of magazine (barnt, not the monolith) orchestrates his profound knowledge of true cosmic sound design in the most convincing manner.

with his second release for planet mu this year, >dream on< is more of a full-length outing for ital aka daniel martin-mccormick and a much more substantial record than the popular and critically acclaimed >hive mind<.
on >dream on< ital takes his experimentation with house and techno forms even further, creating impressionistic deconstructions from the tropes of early house and techno. sunny chords, laid back drum shuffle and rhythmic vocal loops are picked apart and threaded with a rich psychodrama of delirious textures, tidal chords and uneasy roughness and dissonance.
vinyl format ships with digital download code.

kranky was a bit surprised earlier this year when jessica bailiff contacted us and asked if we wanted to preview her new album for possible release. we had no idea she had even been working on an album, let alone had completed one, and we were rewarded with a listen to her most compelling album to date.

it is a cold dark winter – snow is lying everywhere. simon12345 and the lazer twins are heading up north into a little wooden house in the northern parts of denmark. they will live there for the next weeks and build up a temporary studio in this secluded cottage. simon has got a handful of sketches with him. musical states of mind and conceptual games he developed over the last years. basically the idea is to develop something truly unique and powerful – although none of them knows how that will sound exactly or what will happen in particular during this time. it is not even clear who plays which instrument, who will do what…nothing is set. the only thing clear is that they have things to say, things that have been burning in them for so long now. tell me. how can (mostly) instrumental music suggest a way of life? how can you criticize without pointing at something particular? how can music transport you into place of quietness and self reflection?

the occasional fisherman and graduated psychologist vlad aka monokle is responsible for the third lp on ki records. the title of the record is >saints< and is available as double 12 inch vinyl, including cd-copy of the full album.

interstellar ep by label boss deepbass showcases more of informas modern sci-fi sound. two original tracks of hypnotic, atmospheric techno which capture the feeling of travelling through the depths of space. on the first remix we have psyk (non series, mote-evolver) who takes the track to the next level with an intense feel of uplifting tension. our second remix is by nax_acid (aconitio records) who provides a much deeper beautiful remix which takes you even further into the interstellar.

psst! shtum is the new sublabel of dresdens uncanny valley and it is created for proper techno and raw house tracks, music best listened to in a room full of strobe light and fog. right at the start youll get monomood with three dark and powerful tracks. parameter one is one of those techno stompers you cant help but fiercely nod your head to. the lyrics in the crafter might suggest it but actually nobody is afraid of the dark. not even after hell breaks loose with unrelenting chords. also, vault takes no prisoners while keeping the cellar door shut with its nasty acid lines and raw drum work. the musical concept has been interpreted visually by aram haydeyan and uncanny valley artist jacob stoy.

the pain sat deep inside his chest – even a little further behind.
the world can exist without me, the world can exist without me - he repeats it again and again in a monotonous inflection.
what do you want to do now?

sumerian fleet ep on creme eclipse. big menacing darkwave with an industrial tinge from this mysterious west coast super group, like someone finally removed those damn sunglasses from the sisters of mercy dude and showed him the world was an even sadder place than he imagined. little was heard of him since. a masterclass in weltschmerz.

keeping with tradition, the second italojohnson release of 2012 once again presents itself in the likeliness of a 12inch wax with three tracks. the one-track mind repeats the same funk-nationalistic character of italojohnson and once more shows its simplicity. this tune comes to its rite where it is loud and dirty but even headz sitting at home will be able to feel the sun rise. boom shakalaka. the double-track side has some surprises in store for its listeners. for those in the know, the first track is also known as >bootytrack<. this track always pushes the low end to the limit and under the right circumstances guarantees some hip swing. number two may sound familiar, but even if you dont know its rootz, youll still be down with each other

wonder & amazement is a record ive had in various forms and incarnations from ex chicken lips members steve kotey & andy meecham for about a year now – a song that immediately grabbed me from the very first moment i heard it. reminiscent of days gone by mixed with a touch of the new - a song that contains a mixture of both the old classic and the new classic. ive been championing it for a while now either in sets or charts, even including it on a recent compilation i did. a record that we are proud to be able to use as a soundtrack to this new era of classic.

subforms are two young ukrainian artists: yevgeny konovalov and dmitry oleynik.having already published their work across several european territories - and even as far afield as argentina - the duo maintains a clear - and explicit - commitment to minimalist fabrics. in other words, silence comes to the aid of resonant, dubby structures. the less a soundscape is mapped out with human endeavor, the more it is surrendered to emptiness - and therefore to potentials.

with tok024, tonkind presents a wonderful collaboration work,in between the australian team shades of gray from sydney and and melbournes shiny kid uone. best think about it, for this production they did not met in sydney nor in melbourne, but in prag. here, the one part of shades of gray, czech national michal schwa still have his studio. long time ago, back in summer 2005 he landed in australia with a bag full of vinyl, a string of dj gigs and the promise of unchartered territory ahead. soon after he met there local producer nick west, their common passion lead to a collaboration. besides their shades of gray project, they formed the label beef records. since then they have made a huge impact on the house music scene, shur-i-kan, miguel migs, luna city express, miss kittin, jimpster, pezzner, laurent garnier, smash tv and the timewriter are just the tip of an iceberg of fans. their debut album and career pinnacle to date, soul machine, was critically acclaimed by the press, receiving glowing reviews in dj mag and debug. to carry on this journey they keep on meeting good producers and djs all around the world to share and develope their skills. katoomba is the outcome of such an exchange. further more uone who is even more a walking music normad, gave his best ingredients to this release. what we hear is a shaking, colorful ep, which will arrest attention out there...for sure

special 12 inch featuring new versions of the track fa, taken from the debut fennesz solo album >hotel paral.lel< (1997). 15 years after its initial release, christian fennesz gives this throbbing monster of a track a new seeing to, extending it and adding more of that magic he is so well known for. the album was always an exercise in exploring alternate means of hearing club based music. this new version carries that concept further.
this is backed by a cracking new mix by the ever productive mark fell, adding his unique beat structures, and even a mlk sample, which lends his contemporary rhythmic landscape a odd nostalgic twist.
this 12 inch can be seen as a warm up for the new fennesz album, which is currently scheduled for 2013 release.

4th release by 12records, presenting the new deep88 >removing dust< ep (taken from the forthcoming >removing dust< album that will be released later on this year). main single is a2 >the vibe<, a classic 90s beat made over a real melody, where vocals parts crossover and match each others, in two differents peaks, to create a whole >vibe< flow from the start till the end of the song. a1 is a test signal experiment, where samples take a different level, a sort of meta sample, a sample into a sample… well, have a listen, its easier to understand that way. bside is 3 tracks long, not a common practice in todays ep releases. b1 >grancartridge<, a moodymann house style raw song, b2 is even more raw sampling style, meanwhile b3 is a dreamy vocal house tune more common to deep88s style. the result is a mature ep, that ntroduces the 2nd deep88 album, always on 12records, and that will bring him into that >serious< realm of making house that is seen in some elite today (funny isn’t it… at the end it is just about music and we all have ears… maybe)... btw less marketing on our head, this 12inch wont be a coloured or hand written limited release, just the good old classic black one (yes it sounds better folks) and no limited copies… when is close to finish we will repress as usual.

one of the most anticipated comebacks on local talk is finally here! their debut on local talk >moody< caused a big stir on the house charts and made the #01 at traxsource deep house 100 and still gets praise from djs all over the globe including karizma, steve bug, joey negro, the revenge and kerri chandler. the dynamic duo is now back with a even stronger ep doing what they do best, delivering two stunning vocal house tracks. the reaction mad mats & tooli got when they heard >trapped!< was unanimous -­- tune alert! using a colonel abrams acapella from 1985 and fusing it with a jacking track that retains the spirit of the dirtytwo sound & can only cause one thing, dancefloor mayhem. on the flip is >i m feelin< - a slighty more modern house burner that features old friend and pre dirtytwo fame spanka! vocalist frosche.

new on vinyl but not even new to the market. with more than 1 million clicks on all their great videos on youtube, uwe and andre alias einsauszwei are going to paint the town red. jeahmon! says hi and welcome to the groovy guys from dresden/ger. really curious, sasch bbc & caspar (brise rec.) put their fingers between some feet!!! well, you better check that yourself. the fish only tells, bubble, bubble, blubb-blubb-blubb! big with gel abril, marco carola, markus kavka, super flu, monika kruse, nic fanciulli, beatamines, david jach, dema, blond:ish

garibovic is one of the hotest new starz shooting for a well deserved succes. his new ep is mostly a mixture of nudisco and electronic beats that are glued together quite nicely. even better, garibovic seems great at picking not only the hottest, but best remixers around.

usually, the purpose of a piece like this is to tell other writers, music mag editors, distribution people and record shop clerks why they should like a certain release and buy, hype, review it. often these encomiums are not really honest and sometimes you even feel like attending an attempt to sell a flat tire. as for i:cubes new longplayer m megamix things are – of course! – very different. being its fifth solo album, an introduction of a man like nicolas chaix or even his biography (another popular brick of sales sheets) seems rather unsuitable. if you dont know what you should know, just use your internet search engine with any of these terms: chateau flight, versatile records, french touch, disco cubizm or parisian prodigy.

reflecting real tones penchant for picking up on new talent, our latest release comes courtesy of canadian producer paolo rocco. having grown up in a cosmopolitan neighbourhood, paolos influences come from a diverse melting pot of sonic soundscapes and muscial genres. the raw beats of hip-hop one of his primary sources of inspiration. the highly-anticipated comeback of the legend point g (dj gregory) makes this ep even more special. famous in the nineties for his raw house spirit and coveted works such as underwater, chicken coma, sous pression,hands, point g is back and in full effect, remixing paolos title track in his own inimitable fashion

new l.i.e.s!just when we had our doubts about the west coast, los angeles via nyc producer delroy edwards steps up with his debut release for l.i.e.s. musically edwards takes his influences from that barneys ghetto sound with oversaturated 909 shuffling highs, dx bells, 101 filters and ends up making fresh, and yes, melodic ghetto style tracks that somehow get stuck in your head even without vocals. a unique take on a modern classic with the dancefloor in mind.

you & me is an album, which is here to extend the listeners summer. the concept of collaboration is even expanded on the cover artwork. a team of seven graphic artists led by johannes timbernagel interpreted the same template of jacobs face in their specific style. to bring them all together johannes texturized a 3d-model of jacobs head with a collage of all the drawings.